French Release - 26th November - Ad Vitam
Selected Out of Competition at Cannes 2025
“The film looks sensational with crisp cinematography from Georges Lechaptois and high production values across the board.” – Deadline
“An intriguing premise for an old-school psychological mystery, the likes of which Hollywood once made in abundance.”
– Variety
“Foster is extraordinarily believable as an expat almost-but-not-quite integrated after decades abroad.” – The Wrap
“Jodie Foster shines in this maze of chimeras.” – Vanity Fair
(...)
Selected Out of Competition at Cannes 2025
“The film looks sensational with crisp cinematography from Georges Lechaptois and high production values across the board.” – Deadline
“An intriguing premise for an old-school psychological mystery, the likes of which Hollywood once made in abundance.”
– Variety
“Foster is extraordinarily believable as an expat almost-but-not-quite integrated after decades abroad.” – The Wrap
“Jodie Foster shines in this maze of chimeras.” – Vanity Fair
French Release - October 22nd - Diaphana
French Release – October 22nd – Diaphana
Over 150 000 admissions in the first week
World Premiere at Cannes 2025 – Official Selection
Won Best European Animated Feature Film during the 2026 EFA
French Release – October 22nd – Diaphana
Over 150 000 admissions in the first week
World Premiere at Cannes 2025 – Official Selection
Won Best European Animated Feature Film during the 2026 EFA
US release - October 3rd - NEON
Selected in Cannes Premiere at Cannes 2025
“Reform Party – all the actual and would-be autocrats take a bow to remind us that Orwell speaks to our times as much as he did to an earlier era.” – Deadline
“On a technical level, ORWELL: 2+2=5 is sharply made, cross-cutting between 1984 footage and modern day interviews to allow the audience to bridge the gap on their own terms, with only occasional graphics used to illustrate particularly disturbing or stark statistics when needed.” (...)
Selected in Cannes Premiere at Cannes 2025
“Reform Party – all the actual and would-be autocrats take a bow to remind us that Orwell speaks to our times as much as he did to an earlier era.” – Deadline
“On a technical level, ORWELL: 2+2=5 is sharply made, cross-cutting between 1984 footage and modern day interviews to allow the audience to bridge the gap on their own terms, with only occasional graphics used to illustrate particularly disturbing or stark statistics when needed.” – Indiewire
“The film is an essay, not a biography, and it feels placid and measured.” – The Wrap
Iranian Release - July 23rd
Selected in Competition at Cannes 2025
Selected in Competition at Cannes 2025
French Release - April 8th - Les Films du Losange
World Premiere at Toronto 2025 – Official Selection
World Premiere at Toronto 2025 – Official Selection
Japanese Release - August 29th - Toho Co., Ltd
Japanese Release – August 29th – Toho Co., Ltd
Over 3.6 million admissions and a ¥5.1 billion box office hit (≈ $33.4 million)
Japanese Release – August 29th – Toho Co., Ltd
Over 3.6 million admissions and a ¥5.1 billion box office hit (≈ $33.4 million)
French Release - June 25th 2025 - Haut et Court
French Release – June 25th 2025 – Haut et Court
Over 200.000 admissions
Audience Award for a Feature Film at Annecy 2025
“Visually engrossing and thought-provoking fare.” – Screen Daily
“It’s unlike anything else on the market right now, and serves as a reminder of how much better animation can be when it comes to handling the abstractions in our everyday lives.” – Deadline
“An animated masterpiece.” – Telerama
French Release – June 25th 2025 – Haut et Court
Over 200.000 admissions
Audience Award for a Feature Film at Annecy 2025
“Visually engrossing and thought-provoking fare.” – Screen Daily
“It’s unlike anything else on the market right now, and serves as a reminder of how much better animation can be when it comes to handling the abstractions in our everyday lives.” – Deadline
“An animated masterpiece.” – Telerama
French Release - September 3rd 2025 - Ad Vitam
100.000 admissions in one week.
100.000 admissions in one week.
French Release - September 17th 2025 - Metropolitan Films
Silver Bear for Outstanding Artistic Contribution – Berlinale 2025
“Truly the most visually astonishing movie so far to premiere at the Berlinale.” – IndieWire
“A twisted retro fairytale that sits somewhere between Frozen and Mulholland Drive.” – The Hollywood Reporter
“Two outstanding lead performances – from Marion Cotillard and newcomer Clara Pacini.” – The Guardian
Silver Bear for Outstanding Artistic Contribution – Berlinale 2025
“Truly the most visually astonishing movie so far to premiere at the Berlinale.” – IndieWire
“A twisted retro fairytale that sits somewhere between Frozen and Mulholland Drive.” – The Hollywood Reporter
“Two outstanding lead performances – from Marion Cotillard and newcomer Clara Pacini.” – The Guardian
French release - October 8th - ARP Sélection
Selected in Competition at Cannes 2025
Won Lumière of Best Director (Richard Linklater) & Lumière of Male Revelation (Guillaume Marbeck)
“Whether you have seen Breathless or not doesn’t really matter. If you love film, cinema, and the dreamers who create it this one will simply take your breath away.” – Deadline
“Guillaume Marbeck is so perfect as Jean-Luc Godard he’s uncanny. And so is the whole movie.” – Variety
“This affectionate homage to a slice of urban French cool that has (...)
Selected in Competition at Cannes 2025
Won Lumière of Best Director (Richard Linklater) & Lumière of Male Revelation (Guillaume Marbeck)
“Whether you have seen Breathless or not doesn’t really matter. If you love film, cinema, and the dreamers who create it this one will simply take your breath away.” – Deadline
“Guillaume Marbeck is so perfect as Jean-Luc Godard he’s uncanny. And so is the whole movie.” – Variety
“This affectionate homage to a slice of urban French cool that has rarely been equalled is also a nostalgic tribute to a time and place of extraordinary creative ferment and cinematic sex appeal.” – Screen Daily
“If Nouvelle Vague is not exactly Breathless, it’s a loving homage to the crazy way Breathless was made — back when you could shoot movies fast, cheap and out of control, and somehow change cinema in the process.” – The Hollywood Reporter
Italian Release - 22nd May 2025 - 01 DISTRIBUTION (Rai Cinema)
Selected in Competition at Cannes 2025
“Valeria Golino exudes humanity in Mario Martone’s refreshing biopic of a struggling literary pioneer.” – Deadline
“It’s in this female alliance that the film’s interests predominantly lie.” – Variety
“Fuori stands apart as one of the filmmaker’s most vibrant and accessible works so far, able to emphasize the story of a powerful and beautiful older woman” – IndieWire
“Martone’s acknowledged directorial mastery here is enriched with added dyn (...)
Selected in Competition at Cannes 2025
“Valeria Golino exudes humanity in Mario Martone’s refreshing biopic of a struggling literary pioneer.” – Deadline
“It’s in this female alliance that the film’s interests predominantly lie.” – Variety
“Fuori stands apart as one of the filmmaker’s most vibrant and accessible works so far, able to emphasize the story of a powerful and beautiful older woman” – IndieWire
“Martone’s acknowledged directorial mastery here is enriched with added dynamism.” – Cineuropa
French release - May 23th 2025 - Diaphana
Best Screenplay Award at Cannes 2025
Belgian release – June 4th 2025 – Cineart
“Deeply moving but never manipulative, Young Mothers is the brothers’ best film in more than a decades.” – Variety
“Thanks to the strong work from the young cast the film has a cumulative power and a heartening message of resilience and optimism.” – Screen
“There is such simplicity and clarity here, an honest apportioning of dignity and intelligence to everyone on screen: every scene and every characte (...)
Best Screenplay Award at Cannes 2025
Belgian release – June 4th 2025 – Cineart
“Deeply moving but never manipulative, Young Mothers is the brothers’ best film in more than a decades.” – Variety
“Thanks to the strong work from the young cast the film has a cumulative power and a heartening message of resilience and optimism.” – Screen
“There is such simplicity and clarity here, an honest apportioning of dignity and intelligence to everyone on screen: every scene and every character portrait is unforced and unembellished.” – The Guardian
" Richard Linklater’s splendid love letter to French New Wave and Godard will make you fall in love with movies all over again. "
DEADLINE
" ORWELL: 2+2=5 is an urgent, indispensable film for our times [....] A vital film. "
DEADLINE
" Deeply moving but never manipulative, Young Mothers is the brothers’ best film in more than a decades. "
VARIETY
" Visually engrossing and thought-provoking fare. "
Screen Daily
" Allusions to The Shining, both in imagery and in Kubrick-style compositions, as well as to the Moebius-strip art of M.C. Escher, give the film a genuinely unsettling coherence. Ryo Sugimoto’s production design brings a dream dimension to what ostensibly seems a mundane everyday setting. "
Screen Daily
" An gorgeously animated version with a screenplay, alternately funny and frighteningly perceptive by Nicholas Stoller. "
Deadline
" It’s poetic without feeling diaphanous and insubstantial, a sharp-edged, cutting examination of the emotional discord of grief and guilt. "
SCREEN DAILY
" Visually stunning with its clean-line 2D style and nods to classic science fiction, brought to life by a five-star voice cast. "
Le Parisien
" An intriguing premise for an old-school psychological mystery, the likes of which Hollywood once made in abundance. "
VARIETY
" Great performances and a gifted young director. "
The Hollywood Reporter
" Valeria Golino exudes humanity in Mario Martone’s refreshing biopic of a struggling literary pioneer. "
DEADLINE
