French Release - June 25th 2025 - Haut et Court
Audience Award for a Feature Film at Annecy 2025
“Visually engrossing and thought-provoking fare.” – Screen Daily
“It’s unlike anything else on the market right now, and serves as a reminder of how much better animation can be when it comes to handling the abstractions in our everyday lives.” – Deadline
“An animated masterpiece.” – Telerama
Audience Award for a Feature Film at Annecy 2025
“Visually engrossing and thought-provoking fare.” – Screen Daily
“It’s unlike anything else on the market right now, and serves as a reminder of how much better animation can be when it comes to handling the abstractions in our everyday lives.” – Deadline
“An animated masterpiece.” – Telerama
French Release - September 3rd 2025 - Ad Vitam
French Release - September 17th 2025 - Metropolitan Films
Silver Bear for Outstanding Artistic Contribution – Berlinale 2025
“Truly the most visually astonishing movie so far to premiere at the Berlinale.” – IndieWire
“A twisted retro fairytale that sits somewhere between Frozen and Mulholland Drive.” – The Hollywood Reporter
“Two outstanding lead performances – from Marion Cotillard and newcomer Clara Pacini.” – The Guardian
Silver Bear for Outstanding Artistic Contribution – Berlinale 2025
“Truly the most visually astonishing movie so far to premiere at the Berlinale.” – IndieWire
“A twisted retro fairytale that sits somewhere between Frozen and Mulholland Drive.” – The Hollywood Reporter
“Two outstanding lead performances – from Marion Cotillard and newcomer Clara Pacini.” – The Guardian
French release - September 17th 2025 - Eurozoom
Selected in Competition at Cannes 2025
“It’s an elegant, thoughtful piece of filmmaking.” – Screen Daily
“An appealingly impressionistic story of an inquisitive young girl’s summer of life, death and amateur parapsychology.” – Variety
“Part of the reason Renoir hits emotionally is because of Suzuki’s compelling performance. The newcomer has a wide-eyed, penetrating stare that at once communicates the reality of Fuki’s innocence and the depth of her curiosity. In the actress’ hand (...)
Selected in Competition at Cannes 2025
“It’s an elegant, thoughtful piece of filmmaking.” – Screen Daily
“An appealingly impressionistic story of an inquisitive young girl’s summer of life, death and amateur parapsychology.” – Variety
“Part of the reason Renoir hits emotionally is because of Suzuki’s compelling performance. The newcomer has a wide-eyed, penetrating stare that at once communicates the reality of Fuki’s innocence and the depth of her curiosity. In the actress’ hands, the character becomes someone you come to feel deeply protective of.” – The Hollywood Reporter
French release - October 8th - ARP Sélection
Selected in Competition at Cannes 2025
“Whether you have seen Breathless or not doesn’t really matter. If you love film, cinema, and the dreamers who create it this one will simply take your breath away.” – Deadline
“Guillaume Marbeck is so perfect as Jean-Luc Godard he’s uncanny. And so is the whole movie.” – Variety
“This affectionate homage to a slice of urban French cool that has rarely been equalled is also a nostalgic tribute to a time and place of extraordinary creative fe (...)
Selected in Competition at Cannes 2025
“Whether you have seen Breathless or not doesn’t really matter. If you love film, cinema, and the dreamers who create it this one will simply take your breath away.” – Deadline
“Guillaume Marbeck is so perfect as Jean-Luc Godard he’s uncanny. And so is the whole movie.” – Variety
“This affectionate homage to a slice of urban French cool that has rarely been equalled is also a nostalgic tribute to a time and place of extraordinary creative ferment and cinematic sex appeal.” – Screen Daily
“If Nouvelle Vague is not exactly Breathless, it’s a loving homage to the crazy way Breathless was made — back when you could shoot movies fast, cheap and out of control, and somehow change cinema in the process.” – The Hollywood Reporter
French Release - 26th November - Ad Vitam
Selected Out of Competition at Cannes 2025
“The film looks sensational with crisp cinematography from Georges Lechaptois and high production values across the board.” – Deadline
“An intriguing premise for an old-school psychological mystery, the likes of which Hollywood once made in abundance.”
– Variety
“Foster is extraordinarily believable as an expat almost-but-not-quite integrated after decades abroad.” – The Wrap
“Jodie Foster shines in this maze of chimeras.” – Vanity Fair
(...)
Selected Out of Competition at Cannes 2025
“The film looks sensational with crisp cinematography from Georges Lechaptois and high production values across the board.” – Deadline
“An intriguing premise for an old-school psychological mystery, the likes of which Hollywood once made in abundance.”
– Variety
“Foster is extraordinarily believable as an expat almost-but-not-quite integrated after decades abroad.” – The Wrap
“Jodie Foster shines in this maze of chimeras.” – Vanity Fair
Italian Release - 22nd May 2025 - 01 DISTRIBUTION (Rai Cinema)
Selected in Competition at Cannes 2025
“Valeria Golino exudes humanity in Mario Martone’s refreshing biopic of a struggling literary pioneer.” – Deadline
“It’s in this female alliance that the film’s interests predominantly lie.” – Variety
“Fuori stands apart as one of the filmmaker’s most vibrant and accessible works so far, able to emphasize the story of a powerful and beautiful older woman” – IndieWire
“Martone’s acknowledged directorial mastery here is enriched with added dyn (...)
Selected in Competition at Cannes 2025
“Valeria Golino exudes humanity in Mario Martone’s refreshing biopic of a struggling literary pioneer.” – Deadline
“It’s in this female alliance that the film’s interests predominantly lie.” – Variety
“Fuori stands apart as one of the filmmaker’s most vibrant and accessible works so far, able to emphasize the story of a powerful and beautiful older woman” – IndieWire
“Martone’s acknowledged directorial mastery here is enriched with added dynamism.” – Cineuropa
Selected in Cannes Premiere at Cannes 2025
“Reform Party – all the actual and would-be autocrats take a bow to remind us that Orwell speaks to our times as much as he did to an earlier era.” – Deadline
“On a technical level, ORWELL: 2+2=5 is sharply made, cross-cutting between 1984 footage and modern day interviews to allow the audience to bridge the gap on their own terms, with only occasional graphics used to illustrate particularly disturbing or stark statistics when needed.” (...)
Selected in Cannes Premiere at Cannes 2025
“Reform Party – all the actual and would-be autocrats take a bow to remind us that Orwell speaks to our times as much as he did to an earlier era.” – Deadline
“On a technical level, ORWELL: 2+2=5 is sharply made, cross-cutting between 1984 footage and modern day interviews to allow the audience to bridge the gap on their own terms, with only occasional graphics used to illustrate particularly disturbing or stark statistics when needed.” – Indiewire
“The film is an essay, not a biography, and it feels placid and measured.” – The Wrap
French Release - June 11th - Pan Distribution
Selected in Directors’ Fortnight at Cannes 2025
Selected in Directors’ Fortnight at Cannes 2025
French Release - May 28th 2025 - Pan Distribution
French release - May 23th 2025 - Diaphana
Best Screenplay Award at Cannes 2025
Belgian release – June 4th 2025 – Cineart
“Deeply moving but never manipulative, Young Mothers is the brothers’ best film in more than a decades.” – Variety
“Thanks to the strong work from the young cast the film has a cumulative power and a heartening message of resilience and optimism.” – Screen
“There is such simplicity and clarity here, an honest apportioning of dignity and intelligence to everyone on screen: ev (...)
Best Screenplay Award at Cannes 2025
Belgian release – June 4th 2025 – Cineart
“Deeply moving but never manipulative, Young Mothers is the brothers’ best film in more than a decades.” – Variety
“Thanks to the strong work from the young cast the film has a cumulative power and a heartening message of resilience and optimism.” – Screen
“There is such simplicity and clarity here, an honest apportioning of dignity and intelligence to everyone on screen: every scene and every character portrait is unforced and unembellished.” – The Guardian
French Release - April 30th 2025 - Diaphana
French Release - April 30th 2025 - Le Pacte
French Release - January 29th 2025 - Pyramide Distribution
Jury Prize – Venice 2024
Zabaltegi-Tabakalera Award – San Sebastian 2024
“April confirms Dea Kulumbegashvili as one of the world’s most visceral filmmakers” – IndieWire
“Great job with sound and editing. There are impressive and effective violent cuts.” – The Hollywood Reporter
“It’s immense, simply immense.” – Profil
Jury Prize – Venice 2024
Zabaltegi-Tabakalera Award – San Sebastian 2024
“April confirms Dea Kulumbegashvili as one of the world’s most visceral filmmakers” – IndieWire
“Great job with sound and editing. There are impressive and effective violent cuts.” – The Hollywood Reporter
“It’s immense, simply immense.” – Profil
" Great performances and a gifted young director. "
The Hollywood Reporter
" Visually stunning with its clean-line 2D style and nods to classic science fiction, brought to life by a five-star voice cast. "
Le Parisien
" Allusions to The Shining, both in imagery and in Kubrick-style compositions, as well as to the Moebius-strip art of M.C. Escher, give the film a genuinely unsettling coherence. Ryo Sugimoto’s production design brings a dream dimension to what ostensibly seems a mundane everyday setting. "
Screen Daily
" It’s poetic without feeling diaphanous and insubstantial, a sharp-edged, cutting examination of the emotional discord of grief and guilt. "
SCREEN DAILY
" Richard Linklater’s splendid love letter to French New Wave and Godard will make you fall in love with movies all over again. "
DEADLINE
" An gorgeously animated version with a screenplay, alternately funny and frighteningly perceptive by Nicholas Stoller. "
Deadline
" ORWELL: 2+2=5 is an urgent, indispensable film for our times [....] A vital film. "
DEADLINE
" Valeria Golino exudes humanity in Mario Martone’s refreshing biopic of a struggling literary pioneer. "
DEADLINE
" An intriguing premise for an old-school psychological mystery, the likes of which Hollywood once made in abundance. "
VARIETY
" Deeply moving but never manipulative, Young Mothers is the brothers’ best film in more than a decades. "
VARIETY
" Visually engrossing and thought-provoking fare. "
Screen Daily
